Thursday Art group
- Session 19


<
back | Session Menu | Session 19 - Shadow with lamps |
Shadow with Lamps

In this session we used concentrated lighting to deliberately force stronger shadows. A few objects were set up prior to class starting, with the aim of helping everyone to see more clearly how light behaves around, on, and through, objects.




 


One of two lighting arrangements used by the group


lighting

(Click on image to see a different view).



Rebecca did a second drawing of this little guitar (or ukelele) and reasonably captured its light and shadow areas, bringing to it too, her own style - which I feel has unique qualities (and I mean that in a very positive way).

Rebecca - Guitar



Stan produced a fine drawing and his pencil shading around the base gives a good feel of three-dimensionality. The diffused shadows closely reflected what was being observed. One illusion of observation was the position of the candle holding cups. The one in the foreground appeared to be higher, but measurement confirmed its lower position relative to the rearmost holder. (Click on image to see more and enlarge).

Stan - Candle holder

(Click on image to enlarge).

Top




Vee produced a delicate drawing with a good representation of vanishing perspective.

Vee - Candle holder

Vee - Glass

Vee produced a second drawing, this time of a glass she had brought with her. Using the existing lighting, she produced a drawing with a very nice, fine line - really giving the feel of the glass's fragility.

(Click on images to enlarge).



Tracy produced a drawing with some nice touches of light and dark.

We discussed turning the page to be able to rest the arm whilst moving the hand in a comfortable direction, i.e. a right-handed person may feel more comfortable drawing a line from left to right, so if the line to be drawn goes off to the left, it's sometimes easier to turn the paper to enable a left to right direction. This can produce a smoother and less stunted line. Tracy used this technique in the drawing below, on the left branch of the candle holder.


Tracy - candle holder




Rebecca's first drawing is quite fine in its light areas and the angle of view provides a surprise when it produces the full shadow from the projected light source.


Rebecca - Candle holder




Lorraine accomplished a nice feel of light around her candle holders, but I think she felt that some parts of the drawing had been challenging to capture in just the way she would have liked.

Lorraine - Candle holder




Observations

Everyone seemed to manage well with their light and shadows, but many found it difficult to get the perspective right - particularly with the circular shapes when they were angled or coming into the foreground of the drawing - although perhaps from the photos on this page, you wouldn't realise that.

Some people commented on the difficulty of producing a clear sharp and fine line with charcoal. It is possible, but requires practice. Using a modelling knife to create a finer point can also help. Charcoal lends itself well to fast working and sometimes you just have to take a chance with a line or two.


Techniques Suggested

Sometimes, with circular or oval shapes, it is easier to first sketch them as squares or rectangles. It is often easier for the eye to then place a circle in its correct perspective. This technique is often used in life drawing, to work out proportions and directions:

Using shapes in life drawing

Top Kathy and Mags were away this session and Nan's work wasn't photographed.